Climenhaga, Lily (USA). Candidate, joint PhD in Performance Studies. Alberta/Canada. lclimenh@ualberta.ca

Coleman, Beau (CAN). Artist. Coordinator of the MFA Program. University of Alberta/ Canada. Recent performances and exhibitions: High Tide Canada, Let Me Tell You That I Love You (Distant Islands) (Copenhagen, Denmark, Torshaven, Faroe Islands & Nuuk, Greenland 2015); Let Me Tell You That I Love You (Nuit Rose, Toronto, 2014); These Are Not My Mother’s Hands (Trinity Square Video, Toronto 2013); Clock Piece (GlougAIR, Month of Performance Art Festival, Berlin, 2012); The Gertrude Stein Project (University of Alberta, Edmonton, Canada).

bc2@ualberta.ca

Colin, Noyale. Senior Lecturer in Choreography and University of Winchester. Co-editor of Collaboration in Performance Practices: Premises, Workings and Failures (2016); Several journal articles and produced practical works. Noyale studied dance at the Conservatoires of Nantes and Lyon. Graduated from Goldsmiths, University of London with an MA (Distinction) in Performance Making, before undertaking a PhD at Middlesex University. noyale.colin@winchester.ac.uk

Conibere, Nicola (UK). Choreographer and Senior Lecturer in Dance. Coventry University. Recent publications: ‘A Brief Flight with Dramaturgical Thrusters’ in ‘The Practice of Dramaturgy’ (eds. Georgelou, Protopapa, Theodoridou); recent practice-research: ‘Assembly’ (Sydney Biennial, Helsinki Dance House); ‘Do-Re-Me’ (Hayward Gallery, London; Royal Acadmey of Arts, London).

n.conibere@coventry.ac.uk

www.nicolaconibere.com

Constantine, Godwin (LKA). Visiting Lecturer. Institute of Aesthetic Studies, Eastern University/Sri Lanka. Director of Theertha Performance Platform/Sri Lanka.

grogerconstantine@gmail.com

Cornford, Tom (UK). Lecturer in Theatre and Performance. The Royal Central School of Speech and Drama, University of London. Publications: A New Conversation: Michael Chekhov’s Turn to the Crafts (Theatre, Dance and Performance Training, 4.2, 2013), Theatre Studios: Practices, Philosophies and Politics of Ensemble Theatre Making (Routledge, forthcoming).

tom.cornford@cssd.ac.uk

Crisostomo, Junesse (PH). Instructor and MA student at the Department of Speech Communication and Theatre Arts at UP Diliman.

junesse.crisostomo@gmail.com

Crookston, Cameron (CAN). Ph.D. student. University of Toronto/Canada. cameron.crookston@mail.utoronto.ca

Cvejić, Bojana (SRB). Associate Professor of Dance Theory. KHIO National Academy of the Arts, Oslo/Norway. Publications: Choreographing Problems; Choreographer’s (with A. T. D. Keersmaeker); Public Sphere by Performance (with A. Vujanović). http://bojanacvejic.info/

bojanacvejic@gmail.com

D’Cruz, Glenn (AUS). Senior Lecturer in Art and Performance. Deakin University/Australia. Publications: Midnight’s Orphans: Anglo-Indians in Post/Colonial Literature (2006); Class Act: Melbourne Workers Theatre 1987-2007 (editor) (2007); Contemporary Publics (co-author) (2016).

glenn.dcruz@deakin.edu.au