Haddad, Oriana (UK). Performer, Cultural Anthropologist, Body Movement Analyst. www.embodimenta.com

orianahaddad@outlook.com

Hager, Philip (UK). Associate Lecturer. University of Winchester. Book publications: Performances of Capitalism, Crises and Resistance: Inside / Outside Europe (with M. Zaroulia); book chapters: Europhile or Eurosceptic? Gaps in the Narrative and Performances of Panic (with M. Zaroulia); Dramaturgies of Crisis and Performances of Citizenship: Syntagma Square, Athens.

philip.hager@googlemail.com

Hagiwara, Ken (JP). Professor of the School of Global Japanese Studies, Meiji University in Tokyo. He gives courses on Japanese theater history and does research on modern and contemporary German and Japanese theater. His activities include preparation / operation of subtitles for guest performances by companies from German-speaking countries in Japan. hagi@meiji.ac.jp

Halbrock, Dorothee (DE). Initiated the collaborative development of the transdisciplinary space-developing format Hallo Festspiele in Hamburg in 2014, hosting a longterm artistic community center Schaltzentrale in a former power station. Founding member and former Curator of MS Dockville Kunstcamp and Festival along with Lüttville, Daughterville and Vogelball (until 2013). Graduated in culture studies and works as a guest lecturer at several universities.

Hale Wood, Katelyn (USA). Assistant Professor of Theatre History and Performance Studies. Department of Drama, University of Virginia/USA. katehalewood@gmail.com

Hannah, Dorita (AUS). Works across the spatial, visual and performing arts with her practice-led research focusing on live events, installations and exhibitions as well theatre architecture. Publication: Event-Space: Theatre Architecture & the Historical Avant-Garde (forthcoming).

Dorita.Hannah@utas.edu.au

Hansen, Pil (CAN): Assistant Professor. School of Creative and Performing Arts, University of Calgary/Canada. Founding member of Vertical City Performance. Dance/devising dramaturg. Publications: Performing the Remembered Present: The Cognition of Memory in Dance, Theatre, and Music (with Bettina Blaesing) (2017); Dance Dramaturgy: Modes of Agency, Awareness, and Engagement (co-editor) (2015).

pil.hansen@ucalgary.ca

Hansol, Oh (USA). Ph.D. student in Theatre. Graduate Center City University of New York/USA.

Harari, Dror (ISR). Senior Lecturer. Department of Theatre Arts, Tel Aviv University. His recent articles have appeared in Performance Research, TDR, and Teoria ve’Bikoret (Theory and Criticism). His book, Self-Performance: Performance Art and the Representation of Self, was published in Hebrew by Resling Publications (2014). His current research, funded by a research grant from the Israel Science Foundation (ISF), focuses on the historiography of performance art in Israel, from its origins in the 1960s and through the 1970s.

drorh@post.tau.ac.il

Harding, James (USA). University of Maryland. Publications: Performance, Transparency and the Cultures of Surveillance (Forthcoming: Michigan, 2017); The Ghosts of the Avant- Garde(s) (Michigan, 2013); Cutting Performances: Collage Events, Feminist Artists, and the American Avant- Garde (Michigan, 2011); and, Adorno and a Writing of the Ruins (SUNY, 1997)

jharding@umd.edu